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Now that her father is dead, CeCe McGill is left to wonder why he risked his life for the ragged slaves who came to their door in the dead of night. When her uncle, an ornithologist, insists she accompany him to Georgia on an expedition in search of the rare scarlet ibis, CeCe is surprised to learn there's a second reason for their journey: Along the way, Uncle Alex secretly points slaves north in the direction of the Underground Railroad.���� Set against the backdrop of the tumultuous pre-Civil War South,�The Ever-After Bird is the story of�a young woman's education about the horrors of slavery and the realization about the kind of person she wants to become.
- Sales Rank: #1361383 in Books
- Published on: 2007-11-01
- Released on: 2007-11-01
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .77" w x 5.50" l, .77 pounds
- Binding: Hardcover
- 240 pages
About the Author
ANN RINALDI�is an award-winning author best known for bringing history vividly to life. She lives in central New Jersey.
Excerpt. � Reprinted by permission. All rights reserved.
Chapter One�
��
I try not to think of that morning in May of this year of 1851. It is muddled in my brain anyway, maybe because I choose to leave it muddled. I did not see it all, I tell myself. I was upstairs in my room in our rambling white farmhouse, sent upstairs by Papa because I sassed Aunt Susan Elizabeth. She was Papa’s aunt, getting on in years and in grouchiness.
�
����������� She drove me to distraction and I would have given anything to be away from her, from that house, yes, even from Papa, who had few words of cheerfulness for me since the day I was born and fewer yet since he’d become involved with his abolitionist doings, which seemed like forever now.
�
����������� He went about those doings with an obsession.
�
����������� There was always a quilt on the front wooden fence to show we were a safe house for runaways. I know because I put them there for Aunt Susan Elizabeth.
�
����������� We had five of those quilts, and the ones on the fence were constantly changed.
�
����������� The quilts said things.
�
����������� Each one had a different message. What, I don’t know because I could never quite learn the differences. It had to do with the square knots left visible on the front, which Aunt Susan Elizabeth said was usually the sign of shoddy workmanship.
�
����������� But not with these quilts. These square knots were left on the front on purpose.
�
����������� The quilts each had a set number of square knots. She must have explained to me a dozen times the many things those knots meant. But I never got it. Which made her call me “dense.”
�
����������� I hated those quilts because I was always having to work on one. That morning I was working on a wagon wheel pattern, which Aunt Susan Elizabeth said signaled the slaves to pack everything that would go into a wagon or that could be used in transit.
�
����������� “Why can’t they just be told?” I asked her. It wasn’t so much the words I said as how I said them.
�
����������� That’s when Papa sent me to my room.
�
����������� “No soul,” he said to me, “you’ve got no soul. For this your mother gave her life when you were born. No soul.”
�
����������� He’d been saying a lot of things like that to me lately, because I refused to get involved with his abolitionist doings. I couldn’t understand him risking his life for all those negroes who came to our door in the middle of the night looking like something the cat dragged in. �
����������� Two nights before he’d taken in two runaways from the Harris plantation in Buckstown, Maryland, a state part slave and part free.
�
����������� They’d had enough of old Mr. Josiah Harris’s cruelty.
�
����������� We live in the small town of Christiana, Pennsylvania, on the Maryland border. My name is Cecelia McGill. Papa’s name is John. Runaway negroes know we’re a station on the Underground Railroad.
�
����������� It was a bright morning, about ten o’clock. I was sitting on my bed, wondering how long I’d have to stay there, when I heard horses ride up. I went to look out the window.
�
����������� It was Mr. Harris and he had his two mangy sons with him. I pushed the window open so I could hear. Harris was waving around a paper, which apparently was some kind of a writ. “Signed under the new Fugitive Slave Act of 1850, McGill,” I heard him yell. “Gives me the right to cross over into another state and pursue and take back the runaways.”
�
����������� My father said something; I didn’t hear what. The Harrises got off their horses and headed for the house. I heard my father tell them to wait outside, then he must have come in and gone to the secret hiding place under the parlor and brought the slaves up, because he’s nothing if not a law-abiding man, my father. He brought them outside.
�
����������� Then more men rode up. I recognized the Wallers, Quakers from the area. More trouble. I don’t know why people have to force their beliefs on everybody else, why they just can’t practice them and leave others alone.
�
����������� Right off the Quakers started with the thees and thous, challenging the legality of the whole thing. An argument started. It got loud. Soon there was pushing and shoving. One of the Harrises ?red his gun in the air. The horses jumped and got antsy. Then more guns went off.
�
����������� It all happened very fast. And of a sudden I saw my papa fall on the ground and the Harrises mount their horses and gallop away and the Quakers mount their horses, and for all their thees and thous pay no attention to my father but take the slaves on the horses behind them and whisk them off. Likely in the direction of the next safe house and on to Canada.
�
����������� And I, who have no soul, went downstairs to see if my father was alive or dead.
�
Copyright � 2007 by Ann Rinaldi
�
All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher.
�
Requests for permission to make copies of any part of the work should be submitted online at www.harcourt.com/contact or mailed to the following address: Permissions Department, Harcourt, Inc., 6277 Sea Harbor Drive, Orlando, Florida 32887-6777.
Most helpful customer reviews
3 of 3 people found the following review helpful.
Flamingnet.com Top Choice Book-loved the characters
By Flamingnet Teen Book Reviews
When CeCe McGill's father gets killed, Cece just wants
everything to be a bad dream. With her mother dead, too,
CeCe needs someone to take care of her. All of a sudden, a
man who claims to be her uncle comes to take CeCe in. CeCe
has heard many stories about this man and not all of them
are good. CeCe agrees to live with Uncle Alex, but with
hesitation. CeCe finds herself whisked away in an adventure
of a lifetime. Being a famous bird watcher and painter,
Uncle Alex uses this profession to get into plantations in
the South where he ends up freeing slaves. Uncle Alex brings
along his assistant, a student at Oberlin College and a
former slave, but CeCe doesn't seem to get along with her
very well. When CeCe has to save her and sees how terrible
slavery is, it changes her forever.
This book is thebest historical fiction book I have ever read!
The author,Ann Rinaldi, does a fantastic job of making you feel like
you were part of the story, sitting right by CeCe and Uncle
Alex. I loved the characters that the author created,
especially warm-hearted Uncle Alex. The way that the author
talked about slavery really moved me. It made me think
differently about life back then. I could not put the book
down, and I was intrigued with the story even when there was
only background information. I think that the author ended
the book well without leaving you wondering about what
really happened to the characters. If you like historical
fiction, you won't want to put down The Ever-After
Bird.
Reviewed by a young adult student reviewer
Flamingnet Book Reviews
Teen books reviewed by teen reviewers
2 of 2 people found the following review helpful.
Courtesy of Teens Read Too
By TeensReadToo
If he hadn't been determined to help runaway slaves, he would still be alive. That's why CeCe McGill hates abolitionists. Her father devoted his life and their home to giving aid as part of the Underground Railroad, but it was also what ended his own life when he was shot. His death left CeCe an orphan.
When CeCe's uncle, a doctor and an artist, arrives after her father's death, she is nervous about leaving the only home she's ever known to live with him in Ohio. It doesn't take long for her to realize he has a kind and gentle soul. So why is it a surprise when she learns he is an abolitionist just like her late father?
The difference is that CeCe finds herself more directly involved in the abolitionist movement. Uncle Alex and his assistant, a young, black college student, are planning a trip to the South. Uncle Alex wants to study rare birds, and his assistant wants to research the institution of slavery for her studies at Oberlin College. CeCe is invited along for the adventure.
The three travelers must adhere to the behaviors and customs of the South. Uncle Alex's assistant, Earline, will be assuming the role of slave, and CeCe and her uncle must act in character as her owner and mistress. If they are discovered, the punishment could result in death. CeCe is well aware that her uncle will be doing more than just searching for the scarlet ibis know as the Ever-After bird. He will also be helping point slaves in the direction of freedom.
CeCe's adventure is filled with educational opportunities as she learns about the world of rare birds and the workings of slavery. She sees the hope of freedom, but it is often colored with the tragedy of abusive treatment and even death. All she hopes is that they survive and, in some small way, make the world a better place.
Ann Rinaldi is well known for her historical fiction. THE EVER-AFTER BIRD paints a unique picture of slavery in the South, and the fight fought by brave individuals who wanted to see its end. Her descriptions compare the gentle refinement of the South with the startling reality of life behind the grand plantation houses and blooming magnolia bushes.
Reviewed by: Sally Kruger, aka "Readingjunky"
3 of 4 people found the following review helpful.
Age discrepancy
By Mara Zonderman
One of Rinaldi's better recent efforts. A somewhat transparent look at the evils of slavery, but a convincing one. My biggest problem about this book was that the main character, CeCe, was said to be 13-going-on-14, but was treated throughout the book at much younger. Especially when dealing with a time period when childhood was much shorter than we're accustomed to, it seemed odd that a girl of that age would be treated as needing so much protection. Other than that, the book seemed realistic and would definitely be good for middle school-age children to learn about slavery. And, of course, I loved all the references to Oberlin!
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