[B543.Ebook] Free PDF The Idea of Absolute Music, by Carl Dahlhaus, Roger Lustig

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With a characteristically broad and provocative treatment, Dahlhaus examines a single music-aesthetical idea from various historical and philosophical viewpoints.

"Essential reading for anyone interested in the larger intellectual framework in which Romantic music found its place, a framework that to a remarkable degree has continued to shape our image of music."—Robert P. Morgan, Yale University

Carl Dahlhaus (1928-1989) is the author of a highly influential body of works on the foundations of music history and aesthetics.

• Sales Rank: #555106 in Books
• Published on: 1991-08-13
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .80" w x 5.25" l, .40 pounds
• Binding: Paperback
• 186 pages

Language Notes
Text: English, German (translation)

From the Back Cover
'Essential reading for anyone interested in the larger intellectual framework in which Romantic music found its place, a framework that to a remarkable degree has continued to shape our image of music.' --Robert P. Morgan, Yale University

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• Sales Rank: #2179450 in Books
• Published on: 1985
• Binding: Paperback

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0 of 0 people found the following review helpful.
Five Stars
By Jean
My friend appreciated the book.

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Five Stars
By MAYFAIR
Books was very educational

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[A343.Ebook] Ebook Monograms and Alphabetic Devices (Lettering, Calligraphy, Typography)From Dover Publications

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This book contains the entire contents of four fine volumes of monogram and allied devices published between 1830 and 1881. Over 2,500 monogrammatic and alphabetic designs are displayed in plates from "Dictionnaire du Chiffre-monogramme," etc., by Charles Demengeot (1881); "Monograms and Ciphers," by H. Renoir (1870–74); "Knight's New Book of Seven Hundred & Fifty Eight Plain, Ornamented & Reversed Cyphers" (1830); and "Monograms in Three and Four Letters," by J. Gordon Smith (n.d.).
There are monograms in every two-letter combination and extensive selections of three and four letters; name devices ("Alice," "Theodore," etc.), crowns, crests, coats of arms and helmets. There are heavy, intricately entwined monograms that appear as though engraved on metal; lighter, thick-and-thin script styles; fanciful and formal designs; monograms in circles, ovals, square shapes, and free outline; and an immense variety of letter styles, including many designed for the particular device.
A notable feature of this volume is the Index of Monograms and Ciphers, listing alphabetically every letter combination shown and the page or pages on which each appears ("S W", for example, is drawn in three different styles; "A L" in five; but "F N H W" in only one); and an Index of Names and Devices. Both features add greatly to the usefulness of the book. Importantly, every device shown may be reproduced by the purchaser free of charge.
Artists, designers, engravers, and craftspeople will find this book a prolific source of inspiration and unusual styles; typographers, calligraphers, draftspeople , and students will use it as an aid in creating their own letter designs; while those in the printing, publishing, advertising, and allied fields will call upon it whenever a distinctive monogram or decoration is needed.

• Sales Rank: #207139 in Books
• Published on: 2011-12-28
• Released on: 2011-11-30
• Original language: English
• Number of items: 1
• Dimensions: 10.94" h x .61" w x 8.14" l, 1.40 pounds
• Binding: Paperback
• 240 pages

From the Back Cover

This book contains the entire contents of four fine volumes of monogram and allied devices published between 1830 and 1881. Over 2,500 monogrammatic and alphabetic designs are displayed in plates from "Dictionnaire du Chiffre-monogramme," etc., by Charles Demengeot (1881); "Monograms and Ciphers," by H. Renoir (1870–74); "Knight's New Book of Seven Hundred & Fifty Eight Plain, Ornamented & Reversed Cyphers" (1830); and "Monograms in Three and Four Letters," by J. Gordon Smith (n.d.).
There are monograms in every two-letter combination and extensive selections of three and four letters; name devices ("Alice," "Theodore," etc.), crowns, crests, coats of arms and helmets. There are heavy, intricately entwined monograms that appear as though engraved on metal; lighter, thick-and-thin script styles; fanciful and formal designs; monograms in circles, ovals, square shapes, and free outline; and an immense variety of letter styles, including many designed for the particular device.
A notable feature of this volume is the Index of Monograms and Ciphers, listing alphabetically every letter combination shown and the page or pages on which each appears ("S W", for example, is drawn in three different styles; "A L" in five; but "F N H W" in only one); and an Index of Names and Devices. Both features add greatly to the usefulness of the book. Importantly, every device shown may be reproduced by the purchaser free of charge.
Artists, designers, engravers, and craftspeople will find this book a prolific source of inspiration and unusual styles; typographers, calligraphers, draftspeople , and students will use it as an aid in creating their own letter designs; while those in the printing, publishing, advertising, and allied fields will call upon it whenever a distinctive monogram or decoration is needed.

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6 of 7 people found the following review helpful.
The Grand-daddy
By Theseus
One of Dover's greatest volumes. 227 pages, over 2500 illustrations, gathering 4 complete books on monograms and allied devices published between 1830 and 1881. A great assemblage of 19th century design.

Suitable for historians, print junkies, designers, bibliophiles, taggers, and anyone who found themselves compulsively combining initials on scratch paper when bored in school.

"There are monograms in every two-letter combination and extensive selections of three and four letters; name devices ('Alice,' 'Theodore,' etc.), crowns, crests, coats of arms and helmets. There are heavy, intricately entwined monograms that appear as though engraved on metal; lighter, thick-and-thin script styles; fanciful and formal designs; monograms in circles, ovals, square shapes and free outlines; an immense variety of letter styles, including many designed for the particular device."

My personal favorite is a vigorous and insane frontispiece: a Demengeot monogram of the entire alphabet.

Table of Contents

1. Dicionnaire du Chiffre-monogramme by Ch. Demengeot

2. Monograms and Ciphers by H. Renior

3. New Book of Seven Hundred & Fifty Eight Plain, Ornamented & Reversed Cyphers by F. Knight

4. Monograms in Three and Four Letters by J. Gordon Smith

5. Index of Names and Devices

6. Index of Monograms and Ciphers

4 of 4 people found the following review helpful.
Fantasy alphabet
By Vidalia11
I checked this out of the library. The monograms are in the realm of the fantastic. They are elaborate, florid, mesmerizing. But someone tore pages out of this book! I'd like to buy it but the price is a bit steep.

2 of 2 people found the following review helpful.
Good book for monogram ideas
By Eric
There are some great ideas for monogram pieces in here. I absolutely loved flipping through this book and just trying to recreate a few. After completing a few several coworkers wanted me to draw up some tattoo ideas from this book lol

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[S991.Ebook] Free Ebook History of Modern Art (Paperback) (7th Edition), by H. H. Arnason, Elizabeth C. Mansfield

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A Comprehensive Overview — available in digital and print formats

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History of Modern Art is a visual comprehensive overview of the modern art field. It traces the trends and influences in painting, sculpture, photography and architecture from the mid-nineteenth century to the present day. The seventh edition deepens its discussions on social conditions that have affected the production and reception of modern and contemporary art.

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Learning Goals

Upon completing this book, readers should be able to:

• Understand the origins of modern art
• Provide an analysis of artworks based on formal and contextual elements
• Recognize the influences of social conditions on modern art��

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• Sales Rank: #20297 in Books
• Brand: Arnason, H. H./ Mansfield, Elizabeth C.
• Published on: 2012-12-22
• Original language: English
• Number of items: 1
• Dimensions: 11.40" h x 1.30" w x 8.60" l, .0 pounds
• Binding: Paperback
• 832 pages

Features

• Used Book in Good Condition

Review

“This is a significant and usable text for all undergraduate students of art history, and a very good source book for graduate students. It is an excellent source book for students studying the late nineteenth to the twenty-first centuries.”

����-��Caterina Pierre, Kingsborough Community College CUNY

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“It demonstrates a strong commitment to writing a history of modern art that is inclusive of women and artists of color. It is clearly written and works toward thorough consideration of a topic rather than superficial analysis. The best text for a course on Modern Art.”

����-�Cynthia Fowler, Emmanuel College

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“Comprehensive, in-depth study of respective stylistic developments in history of modernism; high-quality photographic reproductions; fundamental investment in discussing objects through its own evidence; willingness of text and author(s) to adjust with the times.”

����-� Mysoon Rizk, University of Toledo

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“I am pleased with the inclusion of more women and artists of color and with the context, technique and source boxes. As well, I am pleased with the increased quality of reproductions.”

����-�Prudence Roberts, Portland Community College

�

About the Author

Elizabeth C. Mansfield �is Vice President for Scholarly Programs at the National Humanities Center in Research Triangle Park, North Carolina.� She� has taught art history at New York University and the University of the South in Sewanee, Tennessee . A scholar of modern European art and art historiography, her publications include books and articles on topics ranging from the origins of modernism to Picasso’s Demoiselles d’Avignon to the contemporary performance and body art of Orlan. Her 2007 book Too Beautiful to Picture : Zeus, Myth, and Mimesis was awarded the College Art Association’s Charles Rufus Morey book prize.

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The late H.H. Arnason was a distinguished art historian, educator, and museum administrator who for many years was Vice President for Art Administration of the Solomon Guggenheim Museum in New York. He began his professional life in academia, teaching at Northwestern University, University of Chicago, and the University of Hawaii. From 1947 to 1961, Arnason was Professor and Chairman of the Department of Art at the University of Minnesota.

Most helpful customer reviews

30 of 31 people found the following review helpful.
Excellent and interesting introduction to Modern Art with hundreds of photos
By Incantessimo
I saw this book in a museum (the High Museum of Art in Atlanta, GA) and had the chance to peruse the museum's copy (which was of the previous edition) before buying it. After just spending 15-20 minutes with it in the museum, I became convinced that it was worth the hefty price. Now, having purchased the most recent edition, I am glad I did. It is an expensive book, but worth the price, in my opinion, as it contains a wealth of information and a wealth of art.

The book was originally written by H.H. Arnason, who, as the book's Preface explains, was Professor and Chairman of the University of Minnesota's Art Department from 1947 to 1961. He also held other posts and was affiliated with the Guggenheim Museum. Since Arnason passed away some time ago, recent editions of the book have been updated by Elizabeth C. Mansfield (Associate Professor of Art at NYU), who has brought the book up to the present (as recent as 2006) with sections on globalization and postcolonial theory.

Both Arnason and Mansfield are clearly intelligent scholars who place the art within its historical context to help us to see what it did, where the innovations were, and what conflicts and issues were live at that time. For example, the opening chapter deals with the legal case between Ruskin and Whistler, in which Whistler sued Ruskin for libel when Ruskin defamed Whistler's painting "Nocturne in Black and Gold." The battle was over whether Whistler could charge such a large amount of money for something that, in Ruskin's eyes, was not art. The (his)story is told in a very readable way, with the painting shown, and it is a perfect and intelligent way to open the book, since a crucial issue involved in modern art is, what makes it art and who decides?

I have not had time to work my way through the whole book (it is 830 pages), but I have liked very much what I have read so far. The index is handy for finding the artists one is interested in, if you don't want to wade through the book, since the chapters are organized thematically. The book may be intended for College textbook use, but I think it is definitely interesting enough to be read by anyone interested in art and painting. It's probably a bit too large and intimidating to work well as a real "introductory" book for someone who knows nothing about art or modern art (unless you have a seriously scholarly mind), but otherwise, I think it is as accessible as it can be given its size and scope, it makes for some great reading and it also passes as a good reference work. I recommend it.

19 of 19 people found the following review helpful.
An excellent source of 20th century artists
By Thompson
I bought this book for a class and it has certainly come in handy. It covers a large selection of 20th century artists such as Klimt, Kandinsky, Cezanne, Matisse, Demuth, and much much more. The book is very large (has a lot of pages) so it truly is stock full of pictures and information about artists and art movements of this time period. There does seem to be a focus more on European artists but there are still pleanty of American artists as well as other countries (Japan, Mexico...)being represented. Although it may be a little expensive, it is a great book for anyone who wants a well organized compilation of 20th century art. I also like the way it is written. It is easy to understand but written in a sophisticated manner. It also discusses a wide variety of art including oil, printmaking, sculpture, ceramics, mixed media, photography, performance art, and more.

7 of 7 people found the following review helpful.
but was in very good condition. And it's a keeper which I will ...
By Phil Nash
I used the Sixth Edition in an art history class where the current Seventh Edition was the designated text. There was very little difference between the two--like a small change in the numbering of the chapters. I saved probably more than $100 by using the earlier text. The book had been used, but was in very good condition. And it's a keeper which I will no doubt refer to in the future.

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This book provides a fresh perspective on the origins of the confrontation between the US and Iran. It demonstrates that, contrary to the claims of Iran's leaders, there was no instinctive American hostility towards the Revolution, and explains why many assumptions guiding US policy were inappropriate for dealing with the new reality in Iran.

• Sales Rank: #824196 in Books
• Published on: 2013-10-15
• Released on: 2013-10-15
• Original language: English
• Number of items: 1
• Dimensions: 10.64" h x .70" w x 5.69" l, .0 pounds
• Binding: Hardcover
• 267 pages

Review

"An impressive, must-read book - every page from Chris Emery offers information and an analysis of US-Iranian relations which avoid simple judgements and offers thoughtful insight instead. This will become the definitive work on America's tense, often disastrous relations with the young Islamic Republic, and it is just as relevant for those considering the wary manoeuvring between Washington and Tehran today." - Professor Scott Lucas, University of Birmingham, UK

"The book represents a much-needed and unbiased analysis of the strategic and domestic pressures driving US engagement with Iran; a book that members of the Obama Administration should read if engagement with Iran is to continue." Luca Trenta, University of Nottingham, UK

"The British scholar Christian Emery, lecturer at the University of Plymouth, has produced a dispassionate, scholarly and balanced account of a very difficult episode in American foreign policy. ... Emery does a great service by stepping back from the polemics and bringing his considerable gifts for clarity and analysis to the question. He shows us that there is plenty of blame to go around on both sides. His cast of characters includes politicians infected with short-sightedness, opportunism and obsessions. It also includes people who sought to do the right thing and struggled to make sense out of events they did not understand. ... Emery, better than many analysts, understands the weight of history." - John Limbert, United States Naval Academy, USA

"Richly detailed and ambitious in scope, US Foreign Policy and the Iranian Revolution will become a standard source for anyone interested in the fascinating story of how and why America's policy of engagement came about." - David Patrick Houghton, King's College London, UK

"The core of [Emery's] book is a dense, granular, and nuanced analytical narrative of the administration's efforts to develop a better relationship with Iran. He sorts through the differing judgments among administration principals and their advisers, as well as historiographical differences among scholars, acknowledging the challenges of engagement and elaborating on contentious points worth debating. ... The book's value comes from the clarity of his exposition, the care with which he constructs his arguments, and the fairness he demonstrates in acknowledging not only the opinions of those with whom he disagrees but also the challenges that confronted policy makers." - Bruce Kuniholm, Duke University, Durham, USA

"Emery's book is very scholarly and is really the best available discussion of U.S. policy toward Tehran in the last two years of the Carter presidency... What is new here is the detailed exposition of policy development. Much of this exposition is striking and original... All in all, US Foreign Policy and the Iranian Revolution is an extremely impressive scholarly achievement. It is provocative, lively, and highly intelligent." - John Dumbrell, Durham University, UK

About the Author
Christian Emery is a Lecturer in International Relations at the University of Plymouth, UK. He was previously a Post-Doctoral Fellow at the London School of Economics. He is the author of several articles and book chapters on US foreign policy and US-Iranian relations and has written for a variety of mainstream media outlets. He is currently working on a collaborative research project which examines Iranian national role conceptions.

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0 of 0 people found the following review helpful.
A Must Read for those interested in US-Iran Relations
By Bryan Gibson
This is an excellent analysis of America's policies toward Iran during the 1978-79 Iranian Revolution. Using primary sources, like documents and interviews, Dr. Emery really seems to grasp the true dynamics of US policy during and after the revolution. More importantly, he delves deep into important historical debates, particularly the mystery surrounding an American effort to provide the Bazargan government with intelligence on Iraq just prior to the Iranian hostage crisis. For those who are interested in the origins of America's policies toward Iran, this book is a must read.

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• Sales Rank: #3447965 in Books
• Published on: 2011-08-11
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .10" w x 5.51" l, .14 pounds
• Binding: Paperback
• 40 pages

Most helpful customer reviews

4 of 4 people found the following review helpful.
No Patterns in the Kindle Edition
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Drawing on psychology, family studies, sociology, communication studies, and neuroscience, Intimate Relationships is a comprehensive and current overview of relationship science written in an engaging and accessible style. The seventh edition of this best-selling text includes new, thought-provoking teaching tools and over 600 new references.

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• Sales Rank: #24773 in Books
• Published on: 2014-09-02
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .90" w x 6.30" l, .0 pounds
• Binding: Paperback
• 592 pages

About the Author
Rowland S. Miller is a Professor of Psychology at Sam Houston State University in Huntsville, Texas. He has been teaching a course in Close Relationships for over 25 years, and he won the 2008 Teaching Award from the International Association for Relationship Research (primarily as a result of this book). He is a Fellow of the Association for Psychological Science, and a winner of the Edwin Newman Award for Excellence in Research from Psi Chi and the American Psychological Association.

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11 of 11 people found the following review helpful.
Insightful & Interesting
By Chad P
Generally, textbooks are dry affairs that one puts down once class is over. For Intimate Relationships, however, I found myself reading the material independent of class study; I honestly found it that interesting. The material is often directly applicable and you cannot help compare the research and examples to your own relationships.

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Recommended reading for all
By Edwin G. Hardacre
This book is amazing. It breaks down relationships of all sorts and gives you the tools to improve your life.

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Great condition
By bean
This book is a great read. Although it is a textbook, the chapter titles alone make you want to read it. This book gives you a nice break down of relationships and everything that goes along with it.

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